Originally posted as the Dun Writin’—Now Whut? series on this blog, EDITING 101 is a weekly refresher series for some of you and brand new for others.

Courtesy ofAdirondack Editing

Character Profiles

Whether you’re a plotter or a pantser (101:21), I’m almost 100% certain that at some point, you’ll have to keep track of your characters’ details. The plotter/pantser post also covered some practical ways that some authors make sure these details are fresh in their minds—or, at least, quickly available.

However, before you can list these precious tidbits of information, you have to either discover them (if your story leads you) or decide on them (if you lead your story). The obvious information is focused on physical appearance: eye color, hair color, stature, body shape, etc. But sometimes authors neglect to round out their profiles with other information that can play a critical part in your story. I’m talking about…

Originally posted as the Dun Writin’—Now Whut? series on this blog, EDITING 101 is a weekly refresher series for some of you and brand new for others.

Courtesy ofAdirondack Editing

Showing Character Emotion

Leilani was frightened.

Austin looked about nervously.

Willow’s face was drawn into an angry scowl.

(insert unhappy readers’ dramatic sighs here)

In the classic struggle to “show” rather than “tell,” emotions are an easy place to fall into “telling,” as each of the statements above demonstrate.

How do you show your readers what your characters are feeling? In some respects, you need to become a serious student of human nature. What kinds of body language tell you when your partner is angry, when your child is lying, when your co-worker is uncertain, or when your boss is about to get demanding? A slight tic next to the eye, a hand clenching repeatedly at one’s side, an emotionless face…

Originally posted as the Dun Writin’—Now Whut? series on this blog, EDITING 101 is a weekly refresher series for some of you and brand new for others.

Courtesy ofAdirondack Editing

‘Shoulda Woulda Coulda’

These three words are sometimes used together as a phrase, implying regret: A writer should have hired an editor, would have used some beta readers, or could have spent more time on self-editing in order to dodge the poor reviews he’s received.

While that shoulda-woulda-coulda phrase might be accurate for an Ape blog post on how to improve your sales or reviews, that’s not what we’re focusing on today. We’re going to look at the actual words.

First, let’s clarify the correct usage. Slang in speech has reduced this to “should of,” “would of,” and “could of” in writing. That’s completely incorrect, even in dialogue, although an editor might leave “shoulda” alone in slangy dialogue. What you’re hearing…

Originally posted as the Dun Writin’—Now Whut? series on this blog, EDITING 101 is a weekly refresher series for some of you and brand new for others.

Courtesy ofAdirondack Editing

Adjectives – and the Commas That Go With Them…

So, you’re merrily typing along and your character wants to put on a blue, silk, handmade scarf. Oh, wait a minute. Is that a silk, blue, handmade scarf or a handmade, silk, blue scarf? A blue, handmade, silk scarf? Oh dear!

Aha! Super Editor to the rescue!

(Imagine me swooping over your house and flying in your window, red pen in hand!)

(Ok, now imagine me 10 pounds lighter. Another ten. Ok, that’s better.)

Adjective order in English is not completely random, although what we’re going to discuss are more along the lines of guidelines rather than rules. The exception is when you’re speaking of words of general description along with words…

Originally posted as the Dun Writin’—Now Whut? series on this blog, EDITING 101 is a weekly refresher series for some of you and brand new for others.

Courtesy ofAdirondack Editing

Dangling Modifiers

In a previous article, we discussed dangling participles(EDITING 101:24). Today we’re going to discuss dangling modifiers.

If you remember, “dangling” is another word for “misplaced.” A modifier is a noun or an adjective that amends or explains, adding description to another noun. So a dangling modifier is simply a word modifying a noun that is in the wrong place, thereby making the sentence ambiguous or confusing, and sometimes downright funny.

Incorrect: The woman walked the dog in purple suede cowboy boots.

Correct: The woman in purple suede cowboy boots walked the dog.

Incorrect: We saw several monkeys on vacation in Mexico.

Correct: While on vacation in Mexico, we saw several monkeys.

Incorrect: We saw several…

Originally posted as the Dun Writin’—Now Whut? series on this blog, EDITING 101 is a weekly refresher series for some of you and brand new for others.

Courtesy ofAdirondack Editing

Do All Your Characters Sound Alike?

In today’s post, we’re not talking about a writer’s voice, or style. We’re talking about the actual voice your characters use in their dialogue or monologues, and character monotones is a chronic problem I see in many of the manuscripts I edit. As the author, you might not realize this is a difficulty in your own writing, but I think once you read this post and the accompanying links, you’ll begin to see what I mean.

Character voice does not mean writing dialect or phonetic accents. This is dialect:

“How do you make out?”

“How me mek out?” He pointed upwards to the black rafters of the kitchen. “Tatta Fadda a mek Provide-ance…

Originally posted as the Dun Writin’—Now Whut? series on this blog, EDITING 101 is a weekly refresher series for some of you and brand new for others.

Courtesy ofAdirondack Editing

Using Beta Readers

A Beta Reader is a person who reads your finished novel and gives you feedback on it before publication—while you still have time to make changes. The term “beta reader” has been adapted from the software industry, where programmers release a beta version of a new program to people who will test it. So think of this as someone “test driving” your book!

Having beta readers is an excellent step in writing your novel, as a good beta reader can vastly improve your book. They serve as a second pair of eyes, ensuring that what you’ve intended to write is really what you have written. A beta reader will read your entire manuscript and develop a personal response…

Originally posted as the Dun Writin’—Now Whut? series on this blog, EDITING 101 is a weekly refresher series for some of you and brand new for others.

Courtesy of Adirondack Editing

Split Infinitives and Dangling Participles

Editors frequently correct both of these, but one is actually ok to use, while the other is not. Care to make a wager on which one is which before I get started?

Ante up!

What is a split infinitive, after all? It’s a sentence where a word, usually an adverb, interrupts a full verb (or full infinitive). A full infinitive is the verb with the word “to” in front of it—to run, to walk, to spit. The most famous split infinitive is “to boldly go.” Editors and teachers used to mark this as incorrect, but it’s all right to split an infinitive. Some examples are:

• Lyn continued to quickly run toward the burning building.

• Willow…